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Warner Bros.' The plan to rehabilitate Aquaman's image by transforming him into Jason Momoa was one of the more curious things about the DC Extended Universe when the franchise was first forming. The idea of a bulky, drunken prodigal son of Atlantis seemed a little silly at the time, and it was. But it also worked surprisingly well (unlike the rest of) Zack Snyder's film. Justice League and while that movie might not have been much to write home about, Aquaman's presence in it seemed like a hopeful sign that Warner Bros. could still right the ship eventually.
Small gasps of that same hope were present in Honduras Phone Number List director James Wan's uneven first film. Aquaman solo feature film, whose dazzling underwater set pieces and light-hearted tone made it feel like a much-needed breath of fresh air for the DCEU. Given the first Aquaman's incredible box office success, it was no surprise that a sequel was announced. Back then, it was easy to imagine the follow-up film being a reflection of the lessons Warner Bros. learned from its struggles to get the rest of the DCEU off the ground.
In Aquaman and the Lost Kingdom , you can clearly see how much attention Warner Bros. has been paying to the public's response to its own unwieldy comic book adaptation franchise, and to the direction in which its competitors like Disney/Marvel have gone. been taking on your projects lately. But in the wake of the entire DCEU being shut down and shelved in favor of a full reboot, The Lost Kingdom can also be seen as a monument to all that was good (which wasn't much) and terrible about this cinematic experiment. superheroes in particular.
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